Songs For Patti - The Definitive Edition
George Harrison / Eric Clapton

Taped by Phil Spector

These are out takes from George Harrison's All Thing's Must Pass recording.

All Things Must Pass From Wikipedia.

All Things Must Pass Studio album by George Harrison

Released 27 November 1970, 22 January 2001 (remaster)

Recorded 26 May 1970 – September 1970

George Harrison and Phil Spector

All Things Must Pass is a triple album by George Harrison recorded and released after the break-up of The Beatles. The first triple album by a solo artist, the original vinyl release featured two records of rock songs, while the third, entitled "Apple Jam" was composed of informal jams led by Harrison with musician friends and other famous musicians.

The outpouring of the wealth of material on All Things Must Pass took many critics by surprise, with Harrison having long been overshadowed by the talents of John Lennon and Paul McCartney, despite the fact that some of his later period Beatles inclusions ("While My Guitar Gently Weeps," "Something," and "Here Comes the Sun") were hailed as highlights of their respective albums. Consequently, as Harrison had only placed just a few songs on any given Beatles album, he had amassed many compositions by their break-up, enabling him to offload many of them in one go on All Things Must Pass.

Harrison had been accumulating the songs he recorded for the album as far back as 1966; both "The Art of Dying"[2] and "Isn't It a Pity"[3] date from that year. In bootlegged conversation from the Get Back sessions, Harrison revealed that John had rejected "Isn't It a Pity" three years before, and that he (Harrison) had considered offering the song to Frank Sinatra. Harrison picked up several more songs in late 1968 while visiting Bob Dylan and The Band in Woodstock, New York. He and Dylan co-wrote "I'd Have You Anytime" and "Nowhere to Go" (also known as "When Everybody Comes to Town") at this time, and Dylan showed him "I Don't Want to Do It." All three songs were attempted at some point in the sessions for All Things Must Pass, but only "I'd Have You Anytime" made the album.

The January 1969 "Get Back" sessions saw early appearances of several other songs that would be considered for All Things Must Pass, including the title track, "Hear Me Lord", "Isn't It a Pity", "Let It Down", and "Window, Window", but nothing came of them at the time. The tense atmosphere fueled another song, "Wah-Wah", which Harrison wrote in the wake of his temporary departure from the band.

He began writing "My Sweet Lord" while touring with Delaney & Bonnie in late 1969, and would later utilize their backing group "Friends" as an important part of the All Things Must Pass sound. He made one last detour before beginning work on All Things Must Pass, visiting Dylan while the latter was starting sessions for New Morning in May 1970, learning "If Not For You" and participating in a now-bootlegged session.

Recording sessions Recorded from May to August 1970 at Abbey Road Studios, and then further recording and mixing at Trident Studios from August to September 1970, Harrison enlisted the aid of Phil Spector to co-produce the album, giving All Things Must Pass a heavy and reverb-oriented sound, typical for a 1960s/1970s Spector production — but a sound Harrison would subsequently regret with the passage of time. In the EPK that accompanies the 30th Anniversary reissue George is asked what he thinks of the album now thirty years later and he says, "...too much echo."

In late May 1970, before recording the album, Harrison sat in a studio with Spector and ran through fifteen songs on guitar, with occasional support from an unknown bass player. These demos (eventually bootlegged as Beware of ABKCO! due to an altered line in his performance of "Beware of Darkness") showed him in the process of weighing his material, as eight of the songs would be either substantially reworked or not appear on the finished album.

Among these early outtakes, three have been officially released in one form or another: "Everybody, Nobody" was an early version of "The Ballad of Sir Frankie Crisp", "Beautiful Girl" would be finished for Thirty Three & 1/3, and "I Don't Want to Do It" would wait fifteen years until being revisited for the soundtrack of Porky's Revenge. Five other songs, "Cosmic Empire", "Mother Divine", "Nowhere to Go," "Tell Me What Has Happened With You," and "Window, Window", have not seen official release.

Two demos of songs that did make the album, "Beware of Darkness" and "Let It Down" (with overdubs from 2000), would eventually be released on the remastered All Things Must Pass. Full discs of electric outtakes from the recording sessions would also leak on bootlegs in later years, and some of those tracks were also included in the remaster. Multiple takes of songs from the album appear on a bootleg three-disc box set The Making of All Things Must Pass along with other releases.

The album features the talents of Ringo Starr, members of Badfinger, Eric Clapton and the other members of Derek and the Dominoes, future Yes drummer Alan White, Billy Preston and a young, pre-Genesis Phil Collins.

Bob Dylan, a close friend of Harrison's, co-wrote "I'd Have You Anytime" with him, while Harrison covered Dylan's "If Not For You", which had been recently released on Dylan's New Morning album.

Alan White stated that John Lennon played on "If Not For You."

Reaction and aftermath All Things Must Pass' lead single was "My Sweet Lord", which proved an enormously popular recording, reaching #1 worldwide, and earned Harrison a copyright infringement suit from the publishers of The Chiffons's 1963 hit "He's So Fine" — a grievance that would not be settled for years.

A judge later found that Harrison had unintentionally copied the earlier song; this prompted Harrison to later write "This Song". He also bought the publishing rights to "He's So Fine" to prevent future suits. The album itself reached #1 in the UK for eight weeks, and spent seven weeks at the top in the U.S., where it was certified six times platinum, making All Things Must Pass Harrison's most commercially successful and generally best-loved album. Anglo-Australian pop singer Olivia Newton-John's cover of Harrison's "What Is Life" reached the UK top twenty in 1972. (The year before, she reached the top ten with a cover of Dylan's "If Not For You", arranged similarly to Harrison's version; in the US, her version became her first successful pop single,reaching #25. She would cover another song from All Things Must Pass, "Behind That Locked Door").

A remastered edition of All Things Must Pass, supervised by Harrison, was released in 2001, just months before his death; it contained bonus tracks, including a partially re-recorded additional version of "My Sweet Lord". It also included a newly colourised version of the originally monochrome cover. With the original version of the album being concurrently deleted, the remastered edition of All Things Must Pass is the only commercially available version of the release. On July 29, 2006, The Official UK Charts company changed their records because there was a postal strike when the album had originally been on the charts. At the time, record retailers would send in documents saying how many records had been sold, but because of the strike they could not during an eight-week period in 1971.

All Things Must Pass, which had originally peaked at number 4 (with Simon and Garfunkel's Bridge Over Troubled Water at number one), now has been given the number one spot for all eight weeks. In 2003, the album was ranked number 437 on Rolling Stone magazine's list of the 500 greatest albums of all time. [edit] 2001 re-release In 2000, George Harrison personally oversaw the remastering of All Things Must Pass - the beginning of a re-issue project that was to see all his albums refurbished. Harrison lived long enough only to witness All Things Must Pass' re-release in January 2001 on his own GN Records imprint, distributed by EMI. Besides the colourfully re-imagined cover art, the two studio albums have been split across the two CDs, with bonus material appearing at the end of the first disc, and the "Apple Jam" - with an adjusted sequence - concluding the second disc.